Learn How To Make A Bag

This eye-getting pack utilizes thick fleece weaving yarns to make the larger than usual daisy blossoms. Worked in differentiating, brilliant shades of red, lilac and sable on the luxurious dark red fleece texture, the outline is featured with littler fuchsia-hued blossoms and completed off with splendid, olive-conditioned leaves and lavender sprigs. 

A rich chocolate dark colored velvet trim, catch bloom focuses and an additional substantial focal catch detail finish the look. 

What you'll will require 

• 40 x 50 cm of rich red fleece texture for sack

• 40 x 50cm (16 x 20 in.) of heavyweight, woven interlining for sack

• 34 x 40cm (131⁄2 x 16 in.) of chocolate dark colored velvet for best and confronting

• 35 x 12cm (14 x 43⁄4 in.) of rich red fleece texture for handles

• 35 x 12cm (14 x 43⁄4 in.) of medium-weight, sew-in interfacing for handles

• 34 x 40cm (131⁄2 x 16 in.) of heavyweight, sew-in interfacing for confronting

• 40 x 50cm (16 x 20 in.) of chocolate dark colored silk lining

• Strong sewing string in dark red

• Sewing strings to coordinate rich red fleece texture, chocolate dark colored velvet and coating textures

• Magnetic catch

• Oversized catch in corn yellow

Equipment 

• Template (see beneath)

• Fabric scissors

• Long dressmaker's pins

• Pencil

• Fine sewing needle

• Ruler

• Iron

• Sewing machine

Step by step instructions to make a bag

1. Print out the sack layout above and afterward, if essential, develop a scanner until the point when it is the right size (utilize the estimations set apart on the format as a guide). 

2. Draw a 2cm crease stipend all round every layout and slice out to make the examples. Stick the fundamental sack design on to the red texture and cut out for pack front. Evacuate the example and rehash to curtail. 

3. Utilizing a similar example, cut out two pieces from interlining and two from coating texture. With wrong sides confronting, attach pack front to one interlining piece. Attach pack back to the next bit of interlining. Utilizing a pencil exchange the crease denotes that are on the best edge of the principle pack layout on to the back of the interlined pieces. 

4. Utilize the Bag Top example to cut four pieces from velvet texture (two are for the confronting) and two pieces from interfacing. With wrong sides confronting, attach interfacing to two velvet strips. 

5. With right sides together and coordinating the side edges, stick the sack front to a velvet best piece. The sack front will be more extensive than the best piece, so stick them together along the edges as it were. 

6. On the back, squeeze the best edge of the weaved texture at the imprints moved in stage 2 to make two little creases. Ensure the folds at the back of the creases are looking towards the focal point of the pack and that the sack front is presently lying level against the differentiation top. Stick the folds set up. 

7. With right sides together, machine-fasten the sack front to the pack top along the best edge, sewing the creases set up as you do as such. Gather the pack back similarly. At that point squeeze crease on the two pieces, towards the velvet best and topstitch near the crease, getting in the crease remittance. 

8. With right sides confronting, stick the sack front and back pieces together coordinating the side edges and base. Machine-fasten round edges leaving the best edge open. Turn pack right side out. 

Making The Handles

1. Alluding to the format daintily check the handle positions on the front and back best edges of the sack with a pencil. 

2. Stick the texture handle piece to the proper bit of interfacing. Along the long sides of the strip, press 1cm towards the center. At that point overlap the strip into equal parts with the goal that crude edges are hidden and press. Top line near the long open edge and since quite a while ago shut edge of handle strip. Cut down the middle to give match of handles. 

3. Stick finishes of one handle to the wrong side of the pack front, coordinating the markings from the layout. Ensure that the handle crease is looking towards the sack side crease on the two sides and that the handle isn't wound. Stick the other handle to the back of the sack similarly. 

4. Sew each finish of each handle set up, sewing around 1cm from the crude edge, and sewing along the past best sewing line. Sew in reverse and advances over each end a couple of times to ensure that each handle is solidly anchored. Hand 2cm over to the wrong side along the best edge of the sack. Tack set up. 

Making The Linnings

1. With right sides confronting, join sack lining pieces and best facings together concerning stages 4 to 7 above, perusing pack front as sack front coating, pack back as pack back covering and sack top as pack facings. Leave pack lining incorrectly side out and turn 2cm over to the wrong side along the best open edge. Tack set up. 

2. Alluding to the format, stamp the situation of the attractive fasten on the correct side of one confronting. Embed catch, following the makers guidelines, ensuring that it is flush to the texture and that the fasten is adjusted precisely on the two sides. 

3. Slip lining inside the pack, with wrong sides confronting and coordinating best edges. Topstitch set up along the best edge getting in pack handles. 

4. To complete, sew the larger than usual corn-hued catch to the best focus of the pack front, utilizing red sewing string.